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Discordian Records Barcelona, Spain
Independent label that promotes Barcelona's free improvisation, avantgarde, free jazz and experimental music.
If you like Nocturna Discordia #222 - Dystopia? Now? Three Duos, you may also like:
supported by 7 fans who also own “Nocturna Discordia #222 - Dystopia? Now? Three Duos”
"...the vast halls of silence illustrated by a single harmonic, the groaning bari-ous vistas, the flocks of cymbals across a distant sky, the brutal (dis)storms…" Full review: http://bit.ly/TalvegArb
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supported by 6 fans who also own “Nocturna Discordia #222 - Dystopia? Now? Three Duos”
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When forests dream
by Agustí Fernández & Jordina Millà
supported by 6 fans who also own “Nocturna Discordia #222 - Dystopia? Now? Three Duos”
One of the most extraordinary piano duo recordings I’ve ever heard. And perhaps the key of it all is that it does not sound like a piano duo in any usual sense: there may be hints of dialogue, but what I hear mostly is rather a single, previously unheard voice, as if Agustí and Jordina and their respective instruments had somehow merged into a single unit. Their control, taste and sense of musical narrative are mesmerizing. And last, but certainly not least, kudos to Ferran Conangla: what sound!
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Improviser and composer Lara Alarcón has created an experimental opus rife with moments of wildly free jazz and lovely melodic passages.
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From Buenos Aires, the duo of Formica & Schenone craft rich, improvisational jazz full of shade and color.
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The Shenanigans-to-Tomfoolery Continuum
by Bridges of Königsberg
This experimental release from Bridges of Königsberg is electroacoustic noise at its most playful and expansive.
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supported by 5 fans who also own “Nocturna Discordia #222 - Dystopia? Now? Three Duos”
How should we approach to this music. The most immediate is content, and because of an established prejudice, it goes around timbre. However, once one can trespass that hegemonic listening, one can see that this music is about form. It's a language. It's how Agustí deals with those materials. There's something about narration that makes the word "narration" become quite useless. So the question is: is Agustí Fernández a great pianist or a great musician approaching the piano?
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